Yes, the title is a Flintstonian reference. I'm in Miami right now, at IBEX. IBEX is the International Boatbuilders Exhibition and Conference--a show founded by the staff of our sister publication Professional Boatbuilder about 13 or so years ago. We're all watching the weather, as a hurricane called Wilma is forecast to rake the state right after the show closes and then to track up the coast--perhaps following us home to Maine.
IBEX is primarily concerned with composite boatbuilding. It's in an immense hall filled with the stuff of modern boatbuilding: resins, cloths, core materials, hardware, gauges, goops, windshields, decals, robots, electronics, engines, tanks, controls.... And some wood. It's open only to the trade: only those involved in boatbuilding and related fields are allowed in. There's an active seminar series, and one track of this series is dedicated to construction in wood. Steve White of Brooklin Boat Yard and Ethan Cook of Rumery's Boat Yard gave a presentation this morning, for example, on the construction of modern yachts inspired by traditional designs. Tomorrow, Sam Devlin and Ethan will give a 1 1/2 hour talk on the concept of "running plugs"--that is, pulling fiberglass molds from prototype boats (rather than building a throw-away male form--a so-called "plug." Friday's talk is on robotics in the small shop, and will focus on the CNC machine called the Shopbot.
"Composites," essentially, means resin and fabric. (Back in the day, it meant steel frames and wooden planks.) It includes exotic materials like carbon fiber and Kevlar. I'm a newbie when it comes to that stuff. This is not the goopy, Herreshoffian vision of "frozen snot." There are some brilliant innovators in this field, doing things like resin infusion (in which resin is drawn into the mold by vacuum); eliminating "print through" (when the weave of the fabric shows through the boat's finish); and cutting parts with computer-guided routers. I admit a certain fascination with such thinking, though I'm more at home with cedar shavings and enamel paint.
The LeDonnnes are here, by the way.They're the family that built YNOT, our cover boat for the September/October issue. It's finished in AwlGrip, and it's the centerpiece of the AwlGrip display. It was also prominently shown in our own WoodenBoat Show in August, in Newport. It's good to have that sort of cross-pollination--a boat that fits at both IBEX and on the cover of WoodenBoat. The rising tide of innovation lifts all… never mind. That's not an appropriate metaphor right now.
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